UQL2870 Industrial Chandelier, 23.5"H x 39"W, Silver Etch Finish, Nantes Collection
SKU: 8005480907

UQL2870 Industrial Chandelier, 23.5"H x 39"W, Silver Etch Finish, Nantes Collection

$472.05 $524.50
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Description

UQL2870 Industrial Chandelier, 23.5"H x 39"W, Silver Etch Finish, Nantes CollectionPRODUCT OVERVIEW: What makes this product different? The UQL2870 distinguishes itself with its sculptural play of oval, circular, and linear shapes, creating a chandelier that feels both industrial and artisanal. Its Silver Etch finish paired with thick, hazy textured glass delivers an uncommon material mix rarely seen in typical farmhouse or rustic fixtures. Unlike many mass produced options, the craftsmanship suggests hand forged metalwork and

PRODUCT OVERVIEW:

What makes this product different?
The UQL2870 distinguishes itself with its sculptural play of oval, circular, and linear shapes, creating a chandelier that feels both industrial and artisanal. Its Silver Etch finish paired with thick, hazy textured glass delivers an uncommon material mix rarely seen in typical farmhouse or rustic fixtures. Unlike many mass-produced options, the craftsmanship suggests hand-forged metalwork and artisanal detailing. The softened diffusion of the glass produces a warm, atmospheric glow that elevates interiors beyond standard chandeliers.

Why is this product worth the price?
The UQL2870 Nantes chandelier commands its price with a distinctive blend of industrial design and artisanal charm. Weighing a substantial 29.5 lbs, its steel and textured glass construction speaks to its quality and durability. This isn't a mass-produced piece; the hand-worked glass, "whimsically cut" and framed by metal, offers a unique, diffused glow. The Nantes collection offers enduring value, promising lasting style, and represents an investment in a fixture designed to elevate your space for years to come.

What value does this product offer over similar options?
The UQL2870 upgrades ordinary spaces through its artisanal blend of thick textured glass and weathered metallic tones, a stark contrast to the thin, factory-stamped alternatives flooding today's market. This substantial 29.5-pound chandelier's whimsical glass cutting and visible metallic bolts create an industrial poetry that mass-produced fixtures simply cannot replicate. While competitors offer harsh, uneven lighting, the Nantes' hazy glass delivers warmth and sophisticated diffusion, all backed by Urban Ambiance's trusted UA Guarantee—ensuring your investment endures beautifully for years.

FIXTURE INFORMATION:
  • MODEL NUMBER: UQL2870
  • ALTERNATE MODEL NUMBER: N/A
  • ITEM ID: 32392451
  • PRODUCT COLLECTION: Nantes
  • INSTALL LOCATION: Indoor
  • FIXTURE TYPE: Chandelier
  • FINISH: Silver Etch
  • CONSTRUCTION MATERIAL: Steel and Glass
  • INSTALLATION HARDWARE INCLUDED: Yes
INSTALLATION INFORMATION:
  • FIXTURE BODY: 23.5" H, 39" W, 15.5" Dep
  • MIN HANGING HEIGHT: 30.5
  • MAX HANGING HEIGHT: 71.5
  • DOWNRODS INCLUDED: None
  • CHAIN LENGTH: 4 Ft
  • ADDITIONAL RODS / CHAIN AVAILABLE: Yes
  • CEILING OR WALL PLATE DIMS: 0.75" x 12
  • POWER WIRE LENGTH: 8 Ft
  • FIXTURE WEIGHT (IN LBS): 29.5
  • LOCATION RATING: Damp Locations
  • SLOPED CEILING COMPATIBLE: Yes
  • REVERSIBLE (UP/DOWN) OPTION: No
  • VOLTAGE: 110/120 V
BULB INFORMATION:
  • DIMMABLE: Yes
  • NUMBER OF LIGHTS / BULBS: 6
  • BULBS INCLUDED: No
  • MAX BULB WATTAGE: 60
  • ESTIMATED LUMENS PRODUCED: 4800
  • BULB BASE: E12 Candelabra Base
  • RECOMMENDED BULB SHAPE: B10 or T6
  • RECOMMENDED BULB COLOR TEMP: 2200-3000K
  • LED BULB COMPATIBLE: Yes
  • LIGHT DIRECTION: Omni-Directional
STYLE AND DESIGN INFORMATION:
  • DESIGN FEATURES: Unique-Glass
  • SHADE CHARACTERISTICS: Glass-Water
  • FIXTURE SHAPE: Triangular
  • FIXTURE SHAPE: Crescent
  • FIXTURE SHAPE: Circular
  • FIXTURE SHAPE: Oval
  • FIXTURE SHAPE: Lines
COLLECTION DESCRIPTION:

The Nantes collection is characterized by its heavily industrial design that brings an artisanal appeal indoors. The rustic construction leverages the infusion of thick textured glass all around a weathered metallic tone.Seemingly cut in a whimsical fashion, the hazy textured glass gracefully floats around the metalwork without concealing the inner metallic details. The glass is held by complementary metallic bolts. Adopting both cylindrical and oval alignments, this collection can easily suit many versatile applications. The unique glass softens the diffusion while amplifying the charm of the backdrop.Available in Silver Etch as pendant lights, wall sconces, and different sizes of chandeliers.

PRODUCT PDF MANUALS:
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SKU: 8005480907

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4.1 ★★★★★
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Product Reviews
D
Verified Purchase
Diana D
Massapequa, US
★★★★★ 5
Very well written and easy to read.
Format: Paperback
Few people are as qualified as Philip Meyer to write a book on storytelling for lawyers. With a background as a trial lawyer, he has plenty of practical, real-life experience in the courtroom. His approach is not that of an academic giving purely theoretical advice, but that of a seasoned lawyer who knows the ins and outs of the legal profession. His experience as a professor (of both law and writing) has honed his ability to effectively communicate his ideas to a broad audience. Not only is this book helpful for the practicing lawyer, it is also useful and not too complex for the legal neophyte or casual reader. This book breaks storytelling (narrative) down to its core components and analyzes them one by one. In the process of analyzing each part of a story, Philip Meyer skillfully explores each component with a non-legal example (e.g. movies, books, etc.) before applying it to a legal example (e.g. courtroom proceedings, appellate briefs, closing arguments, etc.) By first analyzing each part of a story (i.e. plot, setting, etc.) from a well-known story that resonates with the reader, he sets a strong foundation before transitioning to a legal story, thus making it easy for the reader to identify and better understand each part of the legal story. I highly recommend this book to anyone remotely interested in storytelling and persuasion as they relate to the legal profession.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 22, 2016
J
Verified Purchase
JR
Lake Worth, US
★★★★★ 4
Must Read for Novice Litigators
Format: Paperback
This book is a great starting point for developing the skill of storytelling for lawyers as was intended by the author. The author gives you the basics for developing the plot, characters, style, setting, and narrative for your trial with excellent examples. The author is a law professor and the book seems geared for the law student or novice lawyers getting into litigation. I only gave the book 4 out of 5 stars because of a couple of minor problems. However, the chapter on narrative needs further exposition and appears to be written in rushed manner. In addition, the physical binding of the book is of poor quality requiring me to glue the cover back on. Finally, the author missed the point that the lawyer's job is to look at his case as a giant puzzle to be solved and then explained as a story.It is not enough to understand your case but equally imperative that you communicate your case which is best done through the storytelling technique. This is a must read for lawyers getting up to speed on litigation. For further exposition on legal storytelling for lawyers after reading Meyer's book on Storytelling for Lawyers, I recommend the following: ABA webinar available with an internet search for "Storytelling for Lawyers"
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 25, 2018
T
Verified Purchase
Tahoeman
New York, US
★★★★★ 5
Much needed guide to narration in law practice
Format: Paperback
Meyer’s “Storytelling for Lawyers” is an important contribution to the literature on narration in law practice. We know that successful courtroom rhetoric can best be viewed through the prism of storytelling. But the literature does not contain a practical and detailed analysis of the elements of narration as used in law practice—that is, plotting, characterization, point of view, style, and settings in place and time. Meyer’s book fills this gap. It is blessedly free of jargon and full of practical examples of good legal storytelling. But the importance of this book goes well beyond providing practical assistance to litigators. It serves as a much-needed introduction to the principles of narration for teachers and students of literature, creative writing, and popular culture, who have lacked a readable introductory guide to the elements of successful storytelling.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 10, 2014
D
Verified Purchase
David R. Papke
Lowell, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Phoenix, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017

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